層中隙
Tsān Tiōng Khiah
【演出簡介 Introduction】
穿梭城市 與過去偶然相遇
發現時空之中的縫隙
丹麥備受推崇編舞家 姬特.強森Kitt Johnson
X 臺灣青年藝術家 曾伯豪、馬維元、張婷詠、陳宜君、陳冠霖
本作概念源於丹麥編舞家姬特.強森2008年至2014年間於哥本哈根發起的兩年期策展計畫——「MELLEMRUM偶遇:現地創作表演」(Site-specific concept: MELLEMRUM encounter),曾於2008年被AOK(哥本哈根線上旅遊導覽資源網)評選為「年度最佳觀劇經驗」,演出深獲劇評與觀眾喜愛。而後計畫持續,演出遍佈希臘、 斯里蘭卡、澳門等,每次都在當地尋找歷史文化對照當下環境的種種線索,邀請觀眾一起探視時空之中的縫隙。
臺南作為臺灣史上的發展重鎮,仍然存留的史跡與當代發展的人文氣息交織,底蘊深厚。遊走巷弄間,在一些居民早已覺而不察、被覆蓋的角落裡,隱匿著有如地景變遷、移居的流動、經濟發展的興衰、新聞事件等等堆疊而成的層層時空,透過藝術家的觀察與轉化,讓被遺忘或是依舊活躍的歷史與生活軌跡再次浮現,讓參與者得以在時空縫隙中安放屬於自己想像與回憶的空間。
Renowned Danish choreographer Kitt Johnson x Young Taiwanese artists CHANG Ting-yung, TSENG Po-hao, MA Wei-yuan, CHEN Yi-chun, CHEN Guan-ling
Tsān Tiōng Khiah originated from the site-specific concept MELLEMRUM encounter arranged and curated by Kitt Johnson between 2008 and 2014 for Copenhagen city. And continuing happened around the world. In 2008, the project was praised as “Best Theatrical Experience of the Year” by AOK guides and loved by the critics and the audiences alike. MELLEMRUM encounter was subsequently carried out in other countries such as Greece, Sri Lanka and Macau. For every edition, the project incorporated elements of local history and environment, inviting the audience to explore the gaps between time and space.
Tainan plays an important role in the history of Taiwan. Traces that remain of the past interweave with new cultural developments to create the city’s sense of seasoned depth. Walking through alleyways and encountering places in the city that are now hidden or neglected,, we sense layered dimensions, sceneries. changes over time, the flow of human migration, the rise and fall of economy and the run of local news. Through engagement with the arts, ,traces of the past surface again, allowing the audience to
place their own imagination and memories in the gaps between time and space.
【製作團隊 Production Team】
藝術指導:姬特.強森(丹麥)
共同創作暨演出:張婷詠、姬特.強森(丹麥)、曾伯豪、陳宜君、馬維元、陳冠霖
演出嚮導:安奈特.史考夫(丹麥)、何欣宜
空間設計協力:徐子涵
聲音設計:許雁婷
技術統籌:賴科竹
特別感謝:聚珍臺灣書店團隊、六重溪部落、陳冠彰、潘麒宇、尤威仁、大遠百成功店、四社公廨
※ 本節目感謝丹麥藝術基金會Danish Art Foundation提供贊助
Artistic Director: Kitt Johnson
Creation & Performers: CHANG Ting-yung, Kitt Johnson, TSENG Po-Hao, CHEN Yi-chun, MA Wei-yuan, CHEN Guan-ling
Front Guide: Annette Skov
Back guide: HO Hsin-yi
Space & Visual Design: Joanne Shyue
Sound Designer: HSU Yen-ting
Technical: Lai-Ke chu
Special Thanks: GJ Taiwan bookstore, Tribe of Liuzhong Creek, CHEN Kuan-chang, PAN Chi-yu, YOU Wei-ren, Far Eastern Department Store, Danish Arts Foundation
CHANG Ting-yung
Born in 1986, Lives and works in Tainan,Taiwan. She used to use ready-made materials from dialy to produce performances in a specific environment,exploring the infinite space between people's real life and inner imagination. She started her journey of creating performance art in 2013, and was invited to join in certain Performance Arts Festival in Taiwan, China, Hong Kong, Singapore, Indonesia
2016 City Island vs Lonely Island—performance art festival,Singapore
2017 2th Return to the island of south—performance art festival,Hualien,Taiwan
2018 expedition camp,Tangerang,Indonesia
Kitt Johnson(Denmark)
Kitt Johnson has a background in elite athletics, modern and contemporary dance, contact improvisation, butoh, martial arts and German expressionist theatre.
Kitt Johnson’s trademark is solo performance, but her repertoire is broad and also includes many ensemble works, New Circus, site-specific work and a production designed for children. She also organizes and curates performance festivals, including the site-specific concept MELLEMRUM, contributing to her ambition to create a platform from which Danish and international performing arts can engage in dialogue and share experience.
With their universal themes and minimalist idiom Kitt Johnson’s works are attractive abroad, and since early on in her career she has toured the length and width of Denmark and many other countries besides. In addition to her own works, she is continually involved as an artistic consultant on other projects, as well as being a sought-after public speaker, teacher and workshop organizer in many different contexts.
TSENG Po-Hao
Born in Kangshan Kaohsiung in 1991 and resides in Yongkang Tainan now. By changing the game rules, kinds of performances and learnings are proceeded. He cares about individual histories, unofficial history, the processes of collaged affairs in collective working. He attempts to find a way to attack guerrilla warfare beyond the grand narrative.
CHEN Yi-Chun
National Taiwan University of Arts. Department of Dance.
Born in Kaohsiung, director of The Wanderoots, focuses on performing arts, drama and improvisational theatre.
2019 Cie. Art’Andante Biennale de. Sculpture de l’Alta à Quenza, Corse,Île-Rousse
2019 Double & Cross theater group” H2O”-dancer
MA Wei-yuan
M.F.A. Department of New Media, Taipei National University of the Arts (TNUA)
Born in Taipei in 1985, Ma Wei-yuan spent his childhood in a video rental store run by his parents. While majoring in theater directing in college, Ma began exploring the “inner narrative space” of theater. He went on to study new media for his master’s degree at TNUA where he experimented with the “inner-text” of theatrical pieces, mainly in the form of video or interactive arts. He is currently a full-time artist.
2018 The 17 th Macao City Fringe Festival – Jin-Tang
CHEN Guan-ling
M.F.A. Program of Lighting Design, in Department of Theatrical Design and Technology, Taipei National University of the Arts (TNUA)
Main field in theatrical designs include set, light and scenographer. In recent years I have cooperated with director Lee, Ming-Chen (Style Lab), Flying Group, and Body Phase Studio.
2019“BOUT” Summer hall, Edinburgh International Festival Chang Dance Theater- Lighting Design
2019“A Fine Day” Daegu International Musical Festival C MUSICAL- Set Design
2019 17th Taishin Art Award Ceremony Style Lab- scenographer
Joanne Shyue
M.F.A. Program of Lighting Design, in Department of Theatrical Design and Technology, Taipei National University of the Arts (TNUA)
2019 4 Chairs Theatre The Possible Memoirs of a Traitor
2019 ADAM Taipei Arts Festival IsLand Bar
2019 LEE Chen-Wei kNOwn Face
HSU Yen-ting
Yenting Hsu focuses on the cultural context and textures of sounds, her works often reflect the relationship between sounds, environment, individual or collective memory and the surrounding world from an alternative angle. Using field recording as her main material, accompanied by electronic sounds, sounds of founded objects or any materials. Hsu‘s exploration contemplates between the narrative and imaginary characters of recorded sounds under the form of audio documentaries, soundscapes, installations, experimental music and performances. She also collaborates extensively with dance theaters.